Just to keep doing stories you almost have to push it a bit. Mike Reiss: Once people got over the shock of it being a departure from what had been the established tone of the show, they could just see it for what it is. Rich Moore: That musical number was almost harder to pull off than the whole third act climax. We had a great script. He knows what he wants to see, and he brought all those skills to the fore. I wanted to do something graphically interesting like curls in his hair. [12] Homer's Monorail conductor uniform is based on uniforms from Star Wars. "Marge vs. the Monorail" has been widely praised by fans and critics and is generally considered one of the best episodes of The Simpsons. [19] In 2006, IGN named the episode the best of the fourth season. We had a musical number every now and then, but the stories had been more intimate. I loved him. "Marge vs. the Monorail" is the twelfth episode of Season 4. O'Brien had previously pitched episodes where Lisa had a rival and where Marge gets a job at the power plant and Mr. Burns falls in love with her; both went well.

It’s no secret that they’d gone after George Takei, but he’d requested a lot of changes because he was on the Southern California transportation board and he was worried about that. Dale was the man. Following a few suggestions—including a proposal from a poorly-disguised Burns to invest the money back into his power plant—Marge nearly succeeds in advocating for the repair of the town's rundown roads, but a fast-talking salesman named Lyle Lanley leads a song-and-dance routine that convinces the townspeople to instead build a monorail. The climax of it, with the monorail tearing through town, as crazy and silly as it is, is very exciting and dynamic. The musical routine is really brilliant and hilarious, and it’s one of the best Simpsons musical numbers. The name sounds vaguely familiar to Lanley and at first, he’s not sure why, but then it hits him.

She tells him, “Homer, there’s a man here who thinks he can help you.” Homer jumps the gun on guessing who it could be: “Batman?”, Marge says, “No, he’s a scientist,” and Homer says, “Batman’s a scientist.” Losing patience, Marge bluntly tells Homer, “It’s not Batman!”. That kind of tells you where animation was at the time. She quickly comes up with a convincing alibi that lets him suspect she knows nothing. Here comes this one that has a full-blown disaster movie ending.

We’d never been asked to do such big, ambitious locations before, and it put a huge strain on the design team. Production Code Jeff Martin: Mindless groupthink is a recurrent theme on The Simpsons, and I think the monorail episode is the best – and certainly my favourite – example of Springfield mob mentality. It’s sort of like, “Bum, bum, bum, bum.

They and Cobb noticed that Lanley deliberately destroyed the system upon being aware that they cottoned on to his scam. We were just adding to the whole structure of Springfield – the world and the cast of characters.

It was really far afield from what we’d been doing on the show. [14] The logo on the monorail cars which is revealed as Homer attempts to stop the speeding train shows they were first used during the 1964 World's Fair, though that event's train actually used cars suspended from an overhead rail. It had a song and dance routine.
In 1998, TV Guide listed it in its list of top twelve Simpsons episodes. [19] In 2006, IGN named the episode the best of the fourth season. The Simpsons sit on the couch, followed by four rows of Springfield's residents sitting in front of the family. [6] Despite this, the episode attracted some criticism when it was first aired due to the somewhat abstract and less situational nature of the plot, particularly from voice actor Yeardley Smith who in 1995 described the episode as "truly one of our worst".[7]. After receiving a considerable donation of money, Springfield builds a monorail system with Homer as the conductor, unaware they've just boarded a one-way train to Hell. [16], "Marge vs. the Monorail" has frequently been selected in lists of the show's best episodes. From Wikipedia, the free encyclopedia " Marge vs. the Monorail " is the twelfth episode in the fourth season of the American animated television series The Simpsons. Nobody can figure out how to stop the monorail (since it is believed to be solar-powered) and although a solar eclipse briefly halts it, the eclipse ends and the monorail takes off again. Rich Moore: I remember thinking, ‘Is this going to be a new thing, where there’s one or two big action episodes per season,’ never thinking that pretty much every episode would eventually become as big as the monorail episode. [16] The episode was the highest-rated show on the Fox network that week. She discovers the town to be in ruins, and, despite the advertisements for it everywhere stating otherwise, the townsfolk fearfully deny their monorail's existence. Very domestic and around the house.

[13] When Mr. Burns is brought into the court room, he is restrained in the same way as Hannibal Lecter in the film The Silence of the Lambs. “I’m going to need this kind of shot – I’m going to need it going away from the camera, I’m going to need it coming towards the camera, dragging this giant ‘M’ around as an anchor, and it bouncing around.” Since there wasn’t a whole lot of time up front, before it was animated, it was just like, ‘Okay, I’m going to have to let go a little bit and trust that if I create this group of shots, we’re going to be able to construct something worthwhile at the back end.’.

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